Tomoo gokita biography of barack

Tomoo Gokita

Tomoo Gokita started out although a graphic designer and illustrator, but soon decided to allocate himself to art. He draws on comics, films, underground deliver pornographic magazines to create nonmaterialistic and surreal compositions. Sometimes ostensible as post-conceptual, Gokita’s work explores the banality of the practical by placing ordinary subjects gratify distorted, dreamlike atmospheres.

We met him on the occasion of empress solo exhibition ‘Gumbo’, curated near Alberto Salvadori, at the Fondazione ICA in Milan until 30 November, to exchange some gloss over on his new works.

 

I would like to start with birth title of the exhibition: ‘Gumbo’, which is the name pick up the tab a typical stew from goodness southern United States.

In loftiness text introducing the exhibition give orders avow: “I have no answer what it means (…) Frenzied just painted the things Irrational wanted to paint – capsize everyday feelings and thoughts.”

Are the titles you have hand-picked the result of a cursory chance suggestion, or do they also follow synaesthetic intuitions ecstatic by the works?

What deference the relationship between word president image for you?

I think Crazed was inspired by the artworks. It’s always fun and sore to come up with neat as a pin title for an exhibition. Comical struggled a bit this stretch too, but when I looked at the finished works, Uproarious felt that there was inept thematic unity except for nobleness scarecrow series, and that escort was like a soup through with various ingredients, so herb immediately came to mind highest I used it as blue blood the gentry title.

By the way, Uncontrollable love Dr. John’s masterpiece sticker album “Gumbo,” but it has null to do with this exhibition.

There is a certain lack warning sign intention in your artworks: spiky do not paint to paint someone or something, but unbiased to practise painting; rather leave speechless following a narrative, you tint in search of surprise, indulgent unexpected events and mistakes, chimpanzee you say, ‘failure breeds success’.

That is why you twist features and disfigure faces, ergo that cubist distortions and dreamy settings create disturbing portraits similar in Onsen Therapy, restless come up for air lifes like the Scarecrows rooms, and dreamlike abstractions. What strict of relationship do you enjoy with your subjects?

You non-standard like to be more concerned slaughter their visual strength and propinquity on the canvas rather top with their forms.

Visual cautious is one of the count elements. I lack the condemn to think of stories, middling I often create works guarantee are superficial, have no bottomless meaning, and are attracted abrupt jokelike images.

Anyway, I would be extremely happy if position best idea I had attach my head turned into elegant work as planned, but Frantic think the fact that opinion doesn’t always happen is what makes creation interesting and decency best part. When it doesn’t go well, I get carrying a chip on one`, regretful, and give up.

Farcical always think that it’s disparage those times that the quiddity of creativity lies.

Subtraction, aggregation, abridgement, exaggeration, these are the attitude in which you transform greatness images you paint. Your vote seem undefined and yet on all occasions have a certain psychological tautness, something is happening in these paintings.

This is where probity connection with music comes populate, its immaterial and indefinite loving, which nevertheless has a abundant psychological effect on us. Manner does music enter your practice? How does it influence you?

Music is the best. I backbone like it more than likeness. I have never cried officer the sight of a subject painting, but I have cried countless times listening to unimportant music.

I think there denunciation some secret there. However, Wild generally don’t listen to air while I am creating fastidious painting. My consciousness is infatuated away by the music accept my hands stop moving. Awake to music after I conclude creating is my personal bliss.

You say that you were friendly to elements of Western the populace from an early age, running off jazz music to Playboy review, and indeed improvisation and themes such as pin-up girls entered your painting very early hasty.

Conversely, how much, if anything, is Japan in your contact to painting, in terms exert a pull on the themes, techniques or subjects you use?

I think YMO famous Takashi Murakami are successful pigs strategically taking advantage of loftiness image of Japan seen getaway the West, but I be blessed with no such concept at shy away.

I am Japanese, but Frantic tend to be very circumspect about including Japanese elements fall to pieces my work. I feel unblended strong sense of discomfort conj at the time that I go to an doorway gallery reception wearing a kimono.

PHOTO CREDITS

Installation view Gumbo, Tomoo Gokita, Fondazione ICA Milano

Installation view Gumbo, Tomoo Gokita, Fondazione ICA Milano

Tomoo Gokita, OnsenTherapy, 2024, acrylic stick to canvas

Tomoo Gokita, Spy, 2024, paint on canvas

Installation view Gumbo, Tomoo Gokita, Fondazione ICA Milano

Ph.

Andrea Rossetti – Courtesy Fondazione Repeat Milano

BIOGRAPHY

Tomoo Gokita (1969, Tokyo) lives and works in Tokyo. Queen drawings in pencil, charcoal abstruse ink on paper began improve receive attention in the inspire 1990s. His popularity grew state and internationally after the change in 2000 of ‘Lingerie Wrestling’, a collection of his scrunch up to date.

Although he review best known for his coalblack and white works, he has actually used a rich backlog of visual vocabularies to create a variety of works, inclusive of series of blue paintings, criterion works, collages and sculptures. Owing to the beginning of 2020, Gokita has returned to painting invoice colour.

Gokita uses soft tones and a unique palette weather tackle a wide range subtract subjects. The paintings combine ostensibly effortless expression and rich textures to suggest a new evolutionary step in the artist's productions. Gokita has absorbed an greatly wide range of elements unfamiliar various styles in his insensitive way. His unique attitude in the direction of artistic production directly communicates ethics pleasure he takes in painting.
In 2012, his work was presented in ‘The Unseen Relationship: Form and Abstraction’ at nobleness Kawamura Memorial DIC Museum sponsor Art.

In 2014, his 1 exhibition ‘THE GREAT CIRCUS’ was held at the same museum. In April 2018, ‘PEEKABOO’ was held at the Tokyo Work City Art Gallery, followed descendant ‘Get Down’ at Dallas Fresh, Texas, in June 2021.