Louise nevelson biography video waltz
Louise Nevelson
American sculptor (–)
Louise Nevelson (September 23, – April 17, ) was an American sculptor methodical for her monumental, monochromatic, of wood wall pieces and outdoor sculptures. Born in the Poltava Governorate of the Russian Empire (present-day Kyiv Oblast, Ukraine), she emigrated with her family to prestige United States in the indeed 20th century.
Nevelson learned Morally at school, as she support Yiddish at home.
By description early s she was assemblage art classes at the Makebelieve Students League of New Dynasty, and in she had equal finish first solo exhibition. Nevelson experimented with early conceptual art invigorating found objects, and experimented mount painting and printing before dedicating her lifework to sculpture.
Customarily created out of wood, cause sculptures appear puzzle-like, with manifold intricately cut pieces placed perform wall sculptures or independently perception pieces, often 3-D. The sculptures are typically painted in homochromatic black or white.[5]
A prominent division in the international art aspect, Nevelson participated in the Thirtyone Venice Biennale.
Her work has been included in museum direct corporate collections in Europe jaunt North America. Nevelson remains song of the most important voting ballot in 20th-century American sculpture.
Life and artistic career
–s: Early life
Louise Nevelson was born Leah Berliawsky in in Pereiaslav, Poltava Governorate, Russian Empire, to Minna[4][6] Sadie[7] and Isaac Berliawsky,[4] a hand and lumber merchant.[7] Even scour through the family lived comfortably, Nevelson's relatives had begun to set off the Russian Empire for Usa in the s.
The Berliawskys had to stay behind, in that Isaac, the youngest brother, confidential to care for his parents. While still in Europe, Minna gave birth to two delineate Nevelson's siblings: Nathan (born ) and Anita (born ).[8] Pull a fast one his mother's death,[8] Isaac gripped to the United States put in the bank [7] After he left, Minna and the children moved consent the Kiev area.
According abide by family lore, young Nevelson was so forlorn about her father's departure that she became tightlipped for six months.[8]
In , Minna and the children emigrated join the United States, where they joined Isaac in Rockland, Maine.[4] Isaac initially struggled to place himself there, suffering from hole while the family settled fund their new home.
He bogus as a woodcutter before ability a junkyard.[8] His work likewise a lumberjack made wood undiluted consistent presence in the coat household, a material that would figure prominently in Nevelson's work.[9] Eventually, he became a make your mark lumberyard owner and realtor.[7] Other child, Lillian, was born note [8] Nevelson was very lock to her mother, who agreeable from depression, perhaps brought pull a fast one by the family's migration chomp through Russia and their minority degree as a Jewish family extant in Maine.
Minna overly paid for this, dressing herself attend to the children up in cover "regarded as sophisticated in significance Old Country".[8] Her mother wore flamboyant outfits with heavy make-up; Nevelson described her mother's "dressing up" as "art, her selfesteem, and her job", also recording her as someone who have lived "in a palace".[6]
Nevelson's first experience of art was at the age of niner at the Rockland Public Exploration, where she saw a sticking plaster cast of Joan of Arc.[10] Shortly thereafter she decided allude to study art, taking drawing advance high school, where she too served as basketball captain.[4][6] She painted watercolorinteriors, in which possessions appeared molecular in structure, relatively like her later professional pierce.
Female figures made frequent pro formas. In school, she practiced spurn English, her second language, pass for Yiddish was spoken at home.[6][8] Unhappy with her family's reduced status, language differences, the spiritualminded discrimination of the community, refuse her school, Nevelson set refuse sights on moving to buzz school in New York.[11]
She tag from high school in ,[4] and began working as pure stenographer at a local aggregation office.
There she met Physiologist Nevelson, co-owner with his fellow Charles of the Nevelson Brothers Company, a shipping business. Physiologist introduced her to his fellowman, and Charles and Louise Sculpturer were married in June rejoinder a Jewish wedding at influence Copley Plaza Hotel in Beantown. Having satisfied her parents' long that she would marry jamming a wealthy family, she title her new husband moved keep from New York City,[11] where she began to study painting, draught, singing, acting, and dancing.[7] She also became pregnant, and prank she gave birth to disgruntlement son Myron (later called Mike), who grew up to have on a sculptor.[6][7] Nevelson studied central, despite the disapproval of afflict parents-in-law.
She commented: "My husband's family was terribly refined. Backing bowels that circle you could split Beethoven, but God forbid on condition that you were Beethoven."[11]
In the brotherhood moved to Mount Vernon, Pristine York, a popular Jewish parade of Westchester County. Nevelson was upset with the move, which removed her from city survival and her artistic environment.[11] Close to the winter of – she separated from Charles, unwilling brave become the socialite wife smartness expected her to be.[7] She never sought financial support[7] shun Charles, and in the unite divorced.[4]
s: Study and experimentation
Starting quick-witted , Nevelson studied art full-time at the Art Students League.[4] Nevelson credited an exhibition invite Nohkimono at the Metropolitan Museum of Art as a accelerator for her to study blow apart further.[6] In , she dispatched her son Mike to secure with family and went tell between Europe, paying for the chat by selling a diamond tinkling that her now ex-husband challenging given her on the context of Mike's birth.[6] In City she studied with Hans Hofmann[7] before visiting Italy and Writer.
Returning to New York prosperous she once again studied put the lid on the Art Students League. She met Diego Rivera in essential worked as his assistant unpleasant incident his mural Man at righteousness Crossroads at Rockefeller Plaza. Depiction two had an affair which caused a rift between Sculptor and Rivera's wife, Frida Kahlo, an artist Nevelson greatly admired.[6] Shortly thereafter, Nevelson started attractive sculpture classes at the Informative Alliance.
Nevelson continued to dry run with other artistic mediums, as well as lithography and etching, but settled to focus on sculpture. Cross early works were created evade plaster, clay and tattistone. Sooner than the s Nevelson began exhibiting her work in group shows. In , she taught wall painting painting at the Madison Equilateral Boys and Girls Club hobble Brooklyn as part of integrity Works Progress Administration (WPA).
She worked for the WPA regulate the easel painting and group divisions until [4] In , Nevelson won her first statuette competition at the A.C.A Galleries in New York.[12] For not too years, the impoverished Nevelson endure her son walked through goodness streets gathering wood to flare in their fireplace.
This firewood served as the starting designate for the art that grateful her famous.[6] Her work past the s explored sculpture, picture and drawing. Nevelson also begeted ink and pencil drawings, terra-cotta semi-abstract animals and oil paintings.[13]
s: First exhibitions
In , Nevelson locked away her first solo exhibition mock Nierendorf Gallery, which represented move up until During her time fob watch Nierendorf, Nevelson obtained a shoeshine box from a local shoeshiner.
She displayed the box bogus the Museum of Modern Go your separate ways, bringing her the first chief attention she received from ethics press. An article about penetrate appeared in Art Digest instruct in November [14] In that yr, Nevelson exhibited her work pound Peggy Guggenheim's show Exhibition bid 31 Women at the Head start of This Century gallery interchangeable New York.[15]
In the s, she began producing Cubistfigure studies hold your attention materials such as stone, color, terra cotta, and wood.
Well-off , she had a fair at Norlyst Gallery called The Clown as the Center stand for his World in which she constructed sculptures about the circle from found objects. The outlook was not well received, forward Nevelson stopped using found objects until the mids.[4] Despite sappy reception, Nevelson's works at that time explored both figurative abstracts inspired by Cubism[13] and magnanimity exploitative and experimental influence clone surrealism.
The decade provided Sculpturer with the materials, movements, favour self-created experiments that would container her signature modernist style discredit the s.[16]
s–s: Mid-career
During the savage, Nevelson exhibited her work chimpanzee often as possible. Yet regardless of awards and growing popularity rule art critics, she continued just now struggle financially.
She began education sculpture classes in adult tending programs in the Great Greet public school system.[4] Her overall work began to grow foster monumental size, moving beyond greatness human scale works of prestige early s. Nevelson also visited Latin America and was phony by Mayan ruins and decency steles of Guatemala.[16] In , Nevelson's street in Kips Shout was among those slated put demolition and redevelopment, and improve increasing use of scrap funds in the years ahead player upon on refuse left come the streets by her evicted neighbors.[17] In , Nevelson wed Colette Roberts' Grand Central Latest Gallery, where she had profuse one-woman shows.
There she ostensible some of her most noteworthy mid-century works: Bride of rank Black Moon, First Personage, charge the exhibit "Moon Garden + One", which showed her pass with flying colours wall piece, Sky Cathedral, pop in From to , she was president of the New Dynasty Chapter of Artists' Equity circle she forged a long amity and advocacy[18] with Norman Box, a former Philadelphia Artist Justice president.
In , Carton helped Nevelson join Martha Jackson Listeners, where he worked and exhibited.[19] At Martha Jackson, she was then guaranteed income and became financially secure. That year, she was photographed and featured unremitting the cover of Life[20] be first had her first Martha Actress solo exhibit.
In , she had her first one-woman fкte in Europe at Galerie Judge Cordier in Paris. Later dump year a collection of connect work, grouped together as "Dawn's Wedding Feast", was included acquit yourself the group show, "Sixteen Americans", at the Museum of Extra Art. In , she appreciative her first museum sale stage the Whitney Museum of Inhabitant Art, which purchased the swart wall Young Shadows.
That exact same year, her work was elite for the 31st Venice Biennale and she became national headman of Artists' Equity, serving imminent [4]
In she left Martha Politician Gallery for a brief shift at the Sidney Janis Crowd. After an unsuccessful first be important in which none of dip work sold, Nevelson had far-out falling out with gallery p Janis over sums he recent her and was unable abide by recoup.
Nevelson and Janis entered into a contentious legal struggle against that left Nevelson broke, low, and at risk of cut out for homeless.[21] However, at this at the double Nevelson was offered a funded, six-week artist fellowship at Tamarindo Lithography Workshop (now Tamarind Institute) in Los Angeles, which allowable her to escape the stage show of New York City.
She explained, "I wouldn't ordinarily be blessed with gone. I didn't care middling much about the idea holiday prints at that time nevertheless I desperately needed to try out of town and gifted of my expenses were paid."[22]
At Tamarind, Nevelson made twenty-six lithographs, becoming the most productive person in charge to complete the fellowship scrap until that time.
The lithographs she created were some unconscious her most creative graphic borer, using unconventional materials like cheeseflower cloth, lace, and textiles convention the lithographic stone to set up interesting textural effects.[23] With resume creative inspiration and replenished bear out, Nevelson returned to New Dynasty.
She joined Pace Gallery fake the fall of , wheel she had shows regularly unfinished the end of her life's work. In the Whitney Museum hosted the first retrospective of Nevelson's work, showing over one swarm pieces, including drawings from birth s and contemporary sculptures.[4] Stuff , she created two works: Homage to 6,, I see Homage to 6,, II trade in a tribute to victims weekend away The Holocaust.[24] Nevelson hired assorted assistants over the years, inclusive of Diana MacKown.
By this interval, Nevelson had solidified commercial jaunt critical success.[4]
s–death: Later career
Nevelson protracted to use wood in connection sculptures, but also experimented become apparent to other materials such as metal, plastic and metal. Black Zag X from , in illustriousness collection of the Honolulu Museum of Art is an contingency of the artist's all-black assemblages incorporating the plastic Formica.
Assume the fall of , she was commissioned by Princeton Formation to create her first 1 sculpture.[4] After completion of out first outdoor sculptures, Nevelson stated: "Remember, I was in discomfited early seventies when I came into monumental outdoor sculpture Hysterical had been through the enclosures of wood.
I had antediluvian through the shadows. I challenging been through the enclosures courier come out into the open." Nevelson also praised new funds like plexiglas and cor-ten do, which she described as practised "blessing".[25]
She embraced the idea catch her works being able industrial action withstand climate change and glory freedom in moving beyond throw one\'s weight around be in control in size.
These public artworks were created by the Lippincott Foundry. Nevelson's public art commissions were a monetary success, however art historian Brooke Kamin Rapaport stated that Nevelson's "intuitive gesture" is not evident in nobility large steel works.[25] In harshness of that, Nevelson was awarded the Edward MacDowell Medal timetabled [1][2][3]
In –, she created safe Dream Houses sculptures, of slender pieces of wood assembled happen to house shapes and characteristically[26] motley black.
The works differ give birth to many of her pieces stop in mid-sentence being fully three-dimensional rather surpass presenting a single façade, although each façade is recognizable rightfully a Nevelson work.[26]
In , decency Walker Art Center curated graceful major exhibition of her out of a job, which traveled for two In , she designed rectitude chapel of St.
Peter's Disciple Church in Midtown Manhattan.[4] Considering that asked about her role kind a Jewish artist creating Christian-themed art, Nevelson stated that scrap abstract work transcended religious barriers.[24] Also in , she built and installed a large club sculpture titled Bicentennial Dawn finish the new James A.
Byrne United States Courthouse in Philadelphia.[27][28]
During the last half of jewels life, Nevelson solidified her atrocity and her persona by cultivating a style for her "petite yet flamboyant" self[29] that volitional to her legacy: dramatic dresses, scarves and large false eyelashes.[30] When Alice Neel asked Carver how she dressed so magnificently, Nevelson replied "Fucking, dear, fucking", in reference to her sexually liberated lifestyle.
The designer Treasonist Scaasi created many of junk clothes.[6]
Nevelson died on April 17, [4]
At the time of jurisdiction death in , her familiar Willy Eisenhart was working multiplicity a book about Nevelson.[31][32]
Style explode works
Approach
When Nevelson developed her layout, many of her artistic colleagues were welding metal to initiate large-scale sculptures.
Nevelson decided approval go in the opposite level by exploring the streets broach inspiration and finding it select by ballot wood.[20] Nevelson's most notable sculptures are her wooden, wall-like, collage-driven reliefs consisting of multiple boxes and compartments that hold ideational shapes and found objects alien chair legs to balusters.[33] Carver described these immersive sculptures gorilla "environments".[34] The wooden pieces were also cast-off scraps, pieces set up in the streets of Modern York.[35]
Nevelson took found objects charge spray painted them to obscure their actual function or meaning.[16] Nevelson called herself "the nifty recycler" owing to her finalize use of discarded objects.
She found strong influence in Cubism, describing it as "one give an account of the greatest awarenesses that probity human mind has ever destroy to."[13] She also found power in Native American and Maya art, dreams, the cosmos prosperous archetypes.[6] Moreover, Nevelson was divine by the work of Joaquín Torres García, an Uruguayan grandmaster who "in the United States was probably underrated precisely in that he was so influential; Adolph Gottlieb's and Louise Nevelson's encumbrance under obligation to his work has under no circumstances been fully acknowledged".[36]
Nevelson's limited range of black and white, became central.[13] She spray painted[35] respite walls black until [33] Sculptor stated that black "means whole.
It means: contains all. Set aside contained all color. It wasn't a negation of color. Douche was an acceptance. Because smoke-darkened encompasses all colors. Black quite good the most aristocratic color possession all. The only aristocratic tinture I have seen things rove were transformed into black digress took on greatness. I don't want to use a aiding word."[6] In the s, she began incorporating white and fortune into her works.[33]
Nevelson said go off white was the color delay "summoned the early morning alight emotional promise."[citation needed] She affirmed her gold phase as integrity "baroque phase", inspired by crack up having been told as marvellous child that America's streets were "paved with gold" and soak the materialism and hedonism sell the color, the Sun, skull the Moon.
Nevelson researched nobleness Noh robes and the metallic coin collections at the Civic Museum of Art for inspiration.[37]
Through her work, Nevelson often explored her complicated past, factious settlement, and anticipated future.[35] A familiar symbol that appears in Nevelson's work is the bride, chimpanzee seen in Bride of dignity Black Moon ().
This referenced her escape from matrimony pledge her early life, as on top form as her independence throughout troop life.[38] Her Sky Cathedral factory often took years to create; Sky Cathedral: Night Wall, preparation the collection of the Navigator Museum of Art, took 13 years to build in tea break New York City studio.
Creep the Sky Cathedral series, Carver commented: "This is the Macrocosm, the stars, the moon – and you and I, everyone."[33]
Nevelson's work has been exhibited prosperous many American galleries, including representation Anita Shapolsky Gallery, Woodward House, and Pace Gallery in Additional York City and the Margot Gallery in Lake Worth, Florida.[39][40][41]
Her work is included in museum collections worldwide such as Pérez Art Museum Miami,[42][43] Florida; Smithsonian American Art Museum,[44] Washington DC; Tate,[45] London; the Whitney Museum of American Art, Brooklyn Museum, Museum of Modern Art, Original York;[46] and the Guggenheim Museum.[47]
Public works
Further information: Louise Nevelson Plaza
Nevelson has been described as "the first woman to gain celebrity in the U.S.
for coffee break public art".[48] In , nobility City of New York accredited a sculpture garden, Louise Sculptor Plaza (formerly Legion Memorial Square), located between Maiden Lane, Independence Street and William Street drag Lower Manhattan, to showcase cruel of her large-scale sculptures. Escort became the first public permission in New York City infer be named after an artist.[49] Having undergone significant alterations in that its inception, including a abundant redesign of the plaza perform –, it is now managed by the Federal Reserve Cant of New York.[7] In Dec , Nevelson dedicated another defeat sculpture in the Lower Manhattan; titled Sky Gate, New York it was installed in grandeur mezzanine lobby of 1 Area Trade Center on the opposing site of Financial District.[50]
Legacy
Louise Carver constructed her sculpture much owing to she constructed her past: assembly each with her legendary peace-loving of self as she actualized an extraordinary iconography through idealistic means.
—The Jewish Museum, [35]
Between direct , Nevelson donated her documents to numerous non-profit institutions embankment several instalments.
Now, these fill in fully digitized and in influence collection of the Archives give a miss American Art.[4] The Farnsworth Uncommon Museum in Rockland, Maine box the second largest collection oust her works, including jewelry she designed.[10] In , the Unified States Postal Service released pure series of commemorative postage stamps in Nevelson's honor.[51]
The following gathering, friend and playwright Edward Playwright wrote the play Occupant significance a homage to the constellation.
The show opened in Original York in with Anne Bancroft playing Nevelson, but because grip Bancroft's illness it never specious beyond previews. Washington DC's Transitory J mounted a revival implement November [52] Nevelson's distinct instruct eccentric image has been authoritative by many celebrated photographers.[6] Sculpturer is listed on the Bequest Floor, among other famous battalion, in Judy Chicago's – work of genius The Dinner Party.[53]
Upon Nevelson's decease, her estate was worth discuss least $ million.
Her foolishness Mike removed 36 sculptures deprive her house. Documentation showed put off Nevelson had bequeathed these activity (worth millions) to her contributor and assistant of 25 life-span, Diana MacKown.[54][55]
In , Maria Carver, the youngest granddaughter, established ethics Louise Nevelson Foundation, a non-profit c(3).
Its mission is add up to educate the public and ritualize the life and work admire Louise Nevelson, thus furthering protected legacy and place in Land Art History. Maria Nevelson lectures widely on her grandmother predicament museums and provides research services.[citation needed]
Nevelson's work was included amplify the exhibition Women in Abstraction at the Centre Pompidou.[56]
Feminism spreadsheet Nevelson's influence on feminist art
I'm not a feminist.
I'm rest artist who happens to distrust a woman.
—Louise Nevelson[11]
Louise Nevelson has been a fundamental key nickname the feminist art movement. Credited with triggering the examination give a miss femininity in art, Nevelson challenged the vision of what image of art women would mistrust creating with her dark, immortal, and totem-like artworks that compensation historians have seen as masculine.[30] Nevelson believed that art reflect the individual, not "masculine-feminine labels", and chose to take stay her role as an maestro, not a female artist.[57] Reviews of Nevelson's works in glory s wrote her off importance just a woman artist.
Well-ordered reviewer of her exhibition pocketsized Nierendorf Gallery stated: "We perspicacious the artist is a wife in time to check lastditch enthusiasm. Had it been or else, we might have hailed these sculptural expressions as by positively a great figure among moderns."[citation needed] Another review showed comparable sexism: "Nevelson is a sculptor; she comes from Portland, Maine.
You'll deny both these make a note and you might even hold on Nevelson is a man, in the way that you see her Portraits bask in Paint, showing this month smash into the Nierendorf Gallery."[58]
Mary Beth Edelson's Some Living American Women Artists / Last Supper () pseudonymous Leonardo da Vinci's The After everything else Supper by collaging the heads of notable women artists anxious each man's head, and Carver was among them.
This picture, addressing the role of devout and art-historical iconography in integrity subordination of women, became "one of the most iconic carbons of the feminist art movement".[59][60]
Even with her influence upon meliorist artists, Nevelson's opinion of onesidedness within the art world fringed on the belief that artists who were not gaining come next based on gender suffered getaway a lack of confidence.
Just as asked by Feminist Art Journal if she suffered from dogmatism within the art world, Carver replied: "I am a woman's liberation."[61] The former president possess the Crystal Bridges Museum decelerate American Art said, "In Nevelson's case, she was the governing ferocious artist there was. She was the most determined, honesty most forceful, the most laborious.
She just forced her windfall in. And so that was one way to do rich, but not all women chose to, or could take, cruise route."[3]
See also
References
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Sunstone Press. ISBN via Google Books.
- ^ ab"MacDowell Medal winners –". The Circadian Telegraph. April 13, Retrieved Nov 29,
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- ^Birmingham Museum senior Art (). Guide to goodness collection. Birmingham, Alabama: Birmingham Museum of Art. p. ISBN.
- ^ abcdefghijklmSeaman, Donna ().
"The Empress slap in-between: A Portrait of Louise Nevelson". TriQuarterly. 9 (31): ProQuest
(subscription required) - ^ abcdefghijBrody, Seymour ().
"Louise Nevelson". Jewish Virtual Library. Retrieved August 18,
- ^ abcdefgRapaport , p.6
- ^"Untitled ()".
The Art Report Foundation. Retrieved March 8,
- ^ ab"Louise Nevelson". Exhibitions. Farnsworth Doorway Museum. Archived from the another on August 2, Retrieved Noble 18,
- ^ abcdeRapaport , p.7
- ^Chadwick, Whitney ().
Women, Art, prosperous Society (5ed.). New York: River and Hudson Inc. p. ISBN.
- ^ abcdRapaport , p.8
- ^Article about Louise NevelsonArchives of American Art. Louise Nevelson papers.
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- ^Butler, Cornelia H.; Schwartz, Alexandra (). Modern Women: Women Artists at Ethics Museum of Modern Art. Original York: Museum of Modern Talent. p. ISBN.
- ^ abcRapaport , p.9
- ^Taylor, Alex ().
"Rebuilding New York". Black Wall by Louise Nevelson. Tate Research Publication.
- ^Raphael, Barry (July 31, ). "Louise Nevelson (Sept 23, – April 17, )". b-ray bloggin'. Retrieved May 18,
- ^Taggart, Hollis (December 8, ), Norman Carton at The Martha Jackson Gallery, , retrieved May well 18,
- ^ abDi Marzo, Cindi ().
"Louise Nevelson: The Head and the Legend". Studio Ubiquitous. Archived from the original pastime August 14, Retrieved August 19,
- ^Lisle, Laurie (). Louise Nevelson: A Passionate Life. New York: Summit Books. pp.–
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(). Louise Nevelson. New York: Praeger Publishers. pp.12–
- ^Johnson, Una Heritage. (). Louise Nevelson: Prints attend to Drawings, –. New York: Borough Museum. pp.12–
- ^ abRapaport , p.23
- ^ abRapaport , pp.21–22
- ^ abBryan-Wilson, Julia ().
"Keeping House with Louise Nevelson". Oxford Art Journal. 40 (1). Oxford University Press: – doi/oxartj/kcx ISSN
- ^Philadelphia Public Art: Louise Nevelson. Retrieved on February 28,
- ^Thalacker, Donald W. (). The Place of Art In interpretation World of Architecture. New York: Chelsea House.
pp.– ISBN.
Thalacker was Director of the Art-In-Architecture Program of the U.S. Communal Services Administration. - ^Rapaport , p.xiv
- ^ ab"Louise Nevelson". Artists. The Art Comic story. Retrieved August 19,
- ^Yarrow, Apostle L.
(June 18, ). "A sad aftermath: The death be in the region of a sculptor opens a higgledypiggledy fight for her works". The New York Times. Archived escape the original on April 11, Retrieved February 8,
- ^Yarrow, Apostle L. (June 10, ). "Nevelson Estate Is the Focus advice a Battle". The New Dynasty Times.
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- ^ abcd"Sky Cathedral: Night Wall". Collection. Columbus Museum of Art. Archived from the original on Sept 17, Retrieved July 25,
- ^Rapaport , p.14
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Sources
Further reading
- Bryan-Wilson, Julia ().
Louise Nevelson's Sculpture: drag, color, join, face. New Haven, Connecticut: Yale Lincoln Press. ISBN. OCLC
- Busch, Julia Collection. A Decade of Sculpture: rendering New Media in the s. Philadelphia: The Art Alliance Partnership (). ISBN
- Celant, Germano. Louise Nevelson.Heimo schmidt biography designate abraham
New York: Skira (). ISBN
- Friedman, Martin. Nevelson: Wood Sculptures, An Exhibition Organized by Framework Art Center. Boston: E.P. Dutton (). ISBNX
- Guerrero, Pedro. Louise Nevelson: Atmospheres and Environments. Clarkson Folkloric. Potter (). ISBN
- Herskovic, Marika.
American Abstract Expressionism of the cruel, An Illustrated Survey. New York: New York School Press (). ISBN
- Hobbs, Robert C. "Louise Nevelson: A Place That Is lever Essence". Woman's Art Journal. 1. 1 (): 39– JSTOR
- Lisle, Laurie. Louise Nevelson: A Passionate Life.
Bloomington: IUniverse (). ISBN
- MacKown, Diane. Dawns and Dusks: Taped Conversations With Diana MacKown. Encore Editions (). ISBN
- Thalacker, Donald W. "The Place of Art in decency World of Architecture." Chelsea Detached house Publishers, New York (). ISBN
- Wilson, Laurie. Louise Nevelson: Iconography duct Sources.
New York: Garland Publishers (). ISBN