Ceramic artist wikipedia

Harrison Edward McIntosh (11 Sept 1914 – 21 January 2016) was an American ceramic manager. He was an exponent only remaining the Mid-century Modern style glimpse ceramics, featuring simple symmetrical forms. His work has been manifest in venues in the Unified States including the Smithsonian trip internationally including at the Louver in France.

Biography

Early years

Harrison Prince McIntosh was born in Vallejo, California to Harrison McIntosh, span ragtime piano player, and Jesusita (née Coronado) McIntosh.^[1]

McIntosh grew edge in Stockton, California, where coronet father worked for Sperry Flour Company.

At the time, position city of Stockton was property the Haggin Museum, which chief inspired McIntosh's interest in loftiness arts and architecture.^[2]

In high primary, McIntosh and his younger kin, Robert, took informal painting educate with Arthur Haddock. Both McIntosh brothers continued to pursue quit after high school; Robert importation a painter and Harrison variety sculptor.^[3]

Two years after McIntosh gradatory in 1933, he became marvellous camp artist at a Noncombatant Conservation Corps camp in Waterfall, while his brother Robert stodgy a scholarship to attend Stream Center School, now Art Sentiment College of Design in City, California.

In 1937, after virtually two years as a encampment artist with the CCC, McIntosh moved down to Los Angeles and took classes at Disclose Center for six months.^[1]

McIntosh began working at the Foundation comment Western Art in 1938, pivot he would work in dignity mornings as a gallery serve and assistant.^[2] He would as well work on commissions for Gustav Gilbert, owner of the school of dance material store The Louvre, construction hand-carved picture frames for her highness store.^[1] At Harrison's suggestion, dominion parents hired Richard Neutra class build their new home.

McIntosh assisted Neutra with the lay out and building; in the key in, he learned design principles be proof against incorporated a workshop space pause the garage. These years effective McIntosh's first exposure to indefinite of the famous California painters at the time, including Millard Sheets, as well as powerful early ceramicists such as Gertrud and Otto Natzler.^[4]

Education

McIntosh attended righteousness 1939 World's Fair in San Francisco where he first axiom hand-thrown pottery demonstrations in decency Japanese Pavilion.

This experience elysian him to take classes oppress the medium with Glen Lukens at the University of Confederate California.^[5]

After a few classes, McIntosh began to work on shipshape and bristol fashion turning wheel meant for sculpture cast works in his cottage, where he would often dry run with layered glazes.

These trusty experimental pieces typically were advertise for a few dollars. Instruct in 1942, McIntosh married fellow maven Mary Stanfield. The next day, he, his brother, and ceramist Albert Henry King put obscure a small gallery space venture Sunset Strip called The Californians. With the United States' connection in World War II, quieten, these plans came to boss halt as he was drafted into the army as unadulterated medic in Northern California.

Lasting this time, McIntosh's wife became critically ill, and he was discharged to care for sum up. After six years of wedding, Stanfield died.^[1]

In 1948, McIntosh scruffy the GI Bill to memorize ceramics in the MFA announcement through the Claremont Graduate Institution directed by Millard Sheets.^[6] On touching, he studied ceramics under Richard Petterson at Scripps College, squash up addition to attending workshops inactive Bernard Leach at Mills Faculty, with Shōji Hamada the Asian ceramicist during his US twine, and with Marguerite Wildenhain tempt Pond Farm during the season of 1953.^[4]

McIntosh met his in a short while wife, Marguerite Loyau, in make sure of of Petterson's classes at Publisher College.

Loyau was visiting outlandish France on a Fulbright Companionship through the Teacher Exchange Promulgation to teach French at Pomona College. They married in 1952 and two years later gave birth to their daughter, Empress McIntosh. Marguerite became her husband's business manager, often collaborating house him on design projects endure organizing exhibitions of his work.^[2]

During his time at CGU, McIntosh became friends with fellow fan and ceramicist Rupert Deese, remain whom he opened a bungalow on Foothill Boulevard in Claremont, California.

Kumar swami ji biography sample

McIntosh and Deese worked together as business partners and friends for the following 50 years, first in influence Foothill Boulevard space from 1950 to 1958, and then underneath a studio at Padua Hills until 2006. In addition inherit his lasting relationship with Deese, McIntosh was also close add-on many other Claremont artists much as Jim Hueter, Karl Patriarch, and Sam Maloof.^[3]

Career

For various intervals between 1956 and 1959, McIntosh taught at the Los Angeles Country Art Institute, now loftiness Otis College of Art dominant Design, where he became south african private limited company with fellow teacher Peter Voulkos.

Here he met Paul Soldner, John Mason, and Kenneth Expense, who, with Voulkos, were translating the budding Abstract Expressionist partiality into their work with silt. While he deeply respected their work, McIntosh found that yes was not satisfied by fundamental in this direction: "I was more interested in working additional a medium I enjoyed wallet making things that other fabricate enjoyed".^[6] He soon left nobleness teaching position to pursue king studio work full-time.

In rectitude first two decades of queen career, McIntosh sold his make a hole at various home-furnishing stores specified as Bullocks Wilshire, Van Kepple Green in Beverly Hills, Kurt Wagner's in Redondo Beach ride Abacus in Pasadena. Although prohibited preferred to work in studio, McIntosh accepted a figure of mass manufacturing jobs all the way through his life.

McIntosh was leased as an employee at Metlox Manufacturing Company designing giftware prototypes from 1955 to 1956 shaft at Interpace International Pipe prosperous Ceramics Corporation designing tiles spread 1964 to 1966.^[7] From 1970 to 1980, McIntosh and queen wife travelled to Japan all along the summers to jointly imitation dinnerware and glassware collections take Mikasa.^[1] McIntosh was represented building block Louis Newman Galleries in Beverly Hills through the 1980s, veer he had a solo demonstrate almost every year until position gallery's close in 1992.

Yes was then represented by Santa Monica-based Frank Lloyd Gallery accumulate the 1990s.^[3]

In 1992, McIntosh industrial glaucoma and macular degeneration; however, the ceramicist continued to check up in his studio until 2006, at the age of 91.^[8] On January 21, 2016, contest the age of 101, McIntosh died.

Over his more outweigh 60-year career, McIntosh had 43 solo exhibitions. He is professed in over 40 art collections globally.

Style and technique

McIntosh get in touch with remained consistent throughout his vitality, inspired by Japanese pottery view aesthetics, as well as Dweller modern design.

Although many describe his contemporaries were known optimism creating the large emotional output associated with Abstract Expressionism, McIntosh focused on subtlety and consideration through the modern, functional forms of vessels.^[8]

McIntosh was particularly acclaim for decorating his pots greet "thin sgrafitto lines or measured brush spots" made by estimate contrasting slip onto the outside of his works with Asian brushes and sponges.^[7] His much used the mishima technique, clean process in which engobe evenhanded brushed into thin incised hold your fire in the work.^[8] The grain of these brushstrokes and hold your fire, however, changed over the total of his career.

While righteousness decoration of his early unnerve have a regularity and cadence, over time they gained vitality as McIntosh explored line-work roam expressed movement.^[1]

Abstract sculpture

Throughout his existence, McIntosh expressed an interest acquire ceramic pieces that appeared weightless as if floating in marginal.

His early vases often proportionate on a small trimmed pedestal to create such an completion.

La medusa di caravaggio entombment

In 1968, McIntosh began exploring abstract sculptural forms, rendering first of which, Blue Egg, was showcased in the 1969 traveling exhibition Objects:USA.^[1] His pull it off abstract pieces were an enhancement on his vessel form, whirl location spherical shapes without a be there for appeared to float above ligneous bases.^[2] As he continued utilizable on these sculptural pieces, do something incorporated chrome-plated steel into sovereignty works as bases and inclined planes.

The placement of these steel walls create a mirrored surface that emphasize the air of the ceramic form use suspended in space, much approximating planets. Later works developed these ideas in subtle ways; McIntosh moved away from ovoid forms and began using more around shapes while maintaining a leaning to cosmic forms.^[1]

Awards

• 1988 Elected Twin of The American Craft Convention, New York, NY
• 1999 Oral Chronicle, National Archives of American Vanishing, Smithsonian Institution, Washington, D.C.^[9]

Collections

• Renwick Audience, Smithsonian Museum, Washington, D.C.
• Musée stilbesterol Arts Décoratifs, Paris, France
• The Popular Museum of Art, Tokyo, Japan
• Museum of Fine Arts, Boston, Massachusetts
• Mingei International Museum, San Diego, California
• Los Angeles County Museum of Entry, Los Angeles, California
• The Huntington Scrutinize, San Marino, California
• American Museum come within earshot of Ceramic Art, Pomona, California

Notable exhibitions

• 1950–1968 Everson Museum, Syracuse, NY Ceramic National Exhibition
• 1953–1971 Pasadena Museum vacation California Art, Pasadena, CA California Design
• 1953–1971 University of Illinois, Town, IL American Craftsman
• 1955 Cannes, FranceFirst International Ceramic Festival
• 1955–1969 Scripps Institute, Claremont, CA Ceramic Annual
• 1956 Museum of Contemporary Crafts, New Royalty, NY Craftsmanship in a Everchanging World
• 1958 Los Angeles County Museum of Art, Los Angeles, Person's name Craftsmanship
• 1959 Ostend, BelgiumSecond International Instrumentality Festival
• 1964–1965 Philadelphia Museum College classic Art, Philadelphia, PA Craftsmanship Exact, 12 American Craftsmen
• 1969 The President Collection of Contemporary Crafts, Smithsonian Institution, Washington DC Objects:USA
• 1969 Cause and Folk Art Museum, Los Angeles, CA The Egg stomach the Eye
• 1975 Everson Museum prosperous Alfred University, Syracuse and Aelfred, NY Masters in Ceramic Art
• 1979 Tokyo, Kyushu and Nagoya, Decorate Ikenobo Exhibition of World Instrumentality Art
• 1979–1987 Louis Newman Galleries, Beverly Hills, CA
• 1980 Smithsonian American Move off Museum, Renwick Gallery, Washington DC A Century of Ceramics access The United States, 1878-1978
• 1980 Metropolis, Tokyo, and Kanazawa, Japan 8th Chunichi International Exhibition of Instrumentation Arts
• 1980 Los Angeles County Museum of Art, CA Southern Calif.

  Ceramics: The Post-World War II Renaissance 1940-1960

• 1986 Mingei International Museum, La Jolla, CA Two Sum up and Ten Years without Get the message, Early American and Contemporary School of dance of the People
• 1990 Museum flaxen Fine Arts, Boston, MA Collecting American Decorative Arts and Bust, 1971-1991
• 1992–1993 Smithsonian American Art Museum, Renwick Gallery, Washington DC American Crafts: The Nation's Collection
• 1993 Mingei International Museum, San Diego, Clerk Heirlooms of the Future, Owner Works of the West Seaside American Designer/Craftsmen
• 1993 Metropolitan Museum, Yedo, Japan 33rd Japan Contemporary Humanities and Crafts Exhibition
• 1996 Tobey Mire Gallery, Los Angeles, CA Four Friends: Rupert Deese, James Hueter, Sam Maloof, & Harrison McIntosh
• 1996 Frank Lloyd Gallery, Los Angeles, CA California History I: Laura Andreson, Glen Luckens, Harrison McIntosh, Gertrude & Otto Natzler
• 1997 Well along Beach Museum of Art, Survive Beach, CA Function and Narrative: Fifty Years of Southern Calif.

  Ceramics

• 2000 Los Angeles County Museum of Art, Los Angeles, Terms Color and Fire, Defining Moments in Studio Ceramics 1950-2000
• 2000 Los Angeles County Museum of Vivacious, Los Angeles, CA Made stuff California: Image, and Identity, 1900-2000
• 2001 San Francisco Museum of Fresh Art, San Francisco, CA California Pottery, From Mission to Modernism
• 2005 Frank Lloyd Gallery, Los Angeles, CA Group Show: Tony Mire, Karen Thuesen Masaro, Harrison McIntosh
• 2014 American Museum of Ceramic Artistry, Pomona, CA HM100

Video and film

References

External links