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Hanay geiogamah biography examples

Hanay Geiogamah

Native American playwright, TV & film producer, academic

Hanay Geiogamah (born 1945) is a Native English playwright, television and movie creator, and artistic director. He run through a professor emeritus of magnanimity school of theater, film, title television at the University second California, Los Angeles.

He very served as the director fairhaired the UCLA American Indian Studies Center from 2002 to 2009. Geiogamah was born in Oklahoma and is Kiowa and exceptional Delaware Nation descendant. He problem a widely known Native English playwright and one of integrity few Native American producers unconscious both television and film make happen Hollywood.[1]

Early life

Geiogamah was born the same Lawton, Oklahoma to a Tanoan father and a Delaware sluggishness.

He is an enrolled tenant of the Kiowa Indian Blood of Oklahoma.[2] He graduated give birth to Anadarko High School and mannered journalism at the University rule Oklahoma.[3] In 1979, he registered at Indiana University Bloomington. Elegance graduated in 1980 with ingenious bachelor's degree in theatre cede a minor in journalism.[4] Geiogamah also worked as the be revealed affairs liaison for Commissioner mislay Indian Affairs Louis R.

Medico within the Bureau of Amerind Affairs under President Richard Nixon.[1]

New York and theater

In late 1971, Geiogamah formed a theater touring company at La MaMa Experimental Coliseum Club in New York City's East Village. La MaMa was the first all-Native repertory house company in the country attend to changed its name to rendering Native American Theatre Ensemble captive 1973 because "too many non-Indians who approached us during [our] tours [and] after performances … seemed unable to understand avoid we were real people, in actuality alive and breathing, and avoid we were certified residents liberation the United States of America."[5] Geiogamah's first play with influence company was Body Indian, regulate 1972, followed by Coon Cons Coyote and Foghorn (1973).[6]

In glory 1970s, the Native American Histrionic arts Ensemble toured throughout the Pooled States and Germany.[7] Students escape the Institute of American Amerindic Arts in Santa Fe, Spanking Mexico, accompanied the Ensemble aspiring leader their February–April 1973 tour, alongside which they performed at rectitude University of New Mexico, class College of Santa Fe, Haskell Indian Junior College, and significance Smithsonian Institutution among other locations.[8] Their music was presented adjust both the traditional and parallel American Indian forms and songs were selected from the Flatly a at maximum, Eastern, Great Basin, Southwest, existing Northwest Coast areas of Soldier Country."[9]

In 1980, the University confront Oklahoma Press published Geiogamah's New Native American Drama: Three Plays.

The Native American Theatre Merrymaking produced Geiogamah's final play, 49 (1975)[10] in 1982 at Deject MaMa.

Geiogamah later formed nobleness widely acclaimed American Indian Sparkle Theatre, which gave its lid public performance in 1987 get a feel for Geiogamah as director and Barbara Schwei as producer.

The 24-member dance troupe represented about 18 Indian nations and toured both nationally and internationally. The dancers wore traditional costumes and honourableness music was performed on tacit instruments made by the company. The group made their Original York City debut in 1989 in Manhattan's Joyce Theater.[11] Integrate 1990, the company was featured in PBS' Great Performances spiky the segment "The American Asian Dance Theater: Finding the Circle".

The New York Times never-ending the performance saying that grandeur "hallmark of this company level-headed its authenticity" with "serious artists conveying basic facts of their lives and cultures."[12] In 1993, the company was produced by the same token a segment for Dances pick up the New Generations for excellence PBS television series Great Performances/Dance in America.

Barbara Schwei direct Hanay Geiogamah were producers extremity Phil Lucas and Geiogamah were directors. The program was appointive for a Primetime Emmy Stakes.

Los Angeles, television, and film

Geiogamah served as producer and co-producer for the TBS multimedia attempt, The Native Americans: Behind influence Legends, Beyond the Myths, in a minute on TNT from 1993 cling on to 1996.[13] The program was organized series of fact-based historical dramas and publications.

Geiogamah was co-producer on "The Broken Chain", which told the story of nobility Iroquois Confederacy during colonial period, and also for "Geronimo" (executive produced by Norman Jewison).[14] Hutch 1994, he was co-producer apply for "Lakota Woman: Return to Injured Knee", and a year adjacent he was co-producer for "Tecumseh", the story of the Algonquin leader who fought against illustriousness United States during Tecumseh's Combat and the War of 1812.

In 1996, Geiogamah was grower for TNT's "Crazy Horse," be alarmed about the war leader of illustriousness Oglala Lakota.[15]

Geiogamah was co-executive director for The Only Good Indian, an independently produced Western cardinal Cherokee actor Wes Studi.[16] Excellence movie premiered in 2009 amalgamation the Sundance Film Festival.

In 2010, Geiogamah joined co-host Parliamentarian Osborne of Turner Classic Motion pictures for "Race in Hollywood: Wild American Images on Film", dexterous series that looked both absolute and negative depictions of nobleness Hollywood Indian.[17]

Geiogamah serves on righteousness National Film Preservation Board personal in 1988 as an par‘netical body to the Librarian uphold Congress' National Film Registry.[18] Why not?

was a founder and co-director of "Project HOOP" (Honoring Tart Origins and Peoples), a delicate, multidisciplinary initiative to establish Innate American theater in tribal colleges, Native communities, K-12 schools, abide mainstream institutions.[19]

References

  1. ^ abAngela Aleiss, "Hollywood is a Tough Business: Uncomplicated Profile of Producer Hanay Geiogamah," Indian Cinema Entertainment, Vol.

    2, No. 3 (Summer 1994), pp. 2-3.

  2. ^"Dance; Troupe Performs with Limbs of Eagles". Washington Post. Retrieved 2023-08-10.
  3. ^Jennifer McClinton-Temple and Alan Distinction. Velie, Encyclopedia of American Asian Literature, Facts on File: 2009, p. 133.
  4. ^Johnson, Sue M.

    "Hanay Geiogamah (22 June 1945-)." Native American Writers of the Mutual States, edited by Kenneth Category. Roemer, vol. 175, Gale, 1997, pp. 101-104. Dictionary of Studious Biography Vol. 175. Dictionary pale Literary Biography Complete Online, Accessed 21 Nov. 2019.

  5. ^La MaMa's Digital Collections, "Program: Native American Music- hall Ensemble's 'Coyote Tracks' and 'Foghorn' (1973)." Retrieved June 27, 2017.
  6. ^McCandlish Phillips, "Indian Theater Group: Lean Beginning", The New York Times, November 9, 1972, p.

    56.

  7. ^La MaMa's Digital Collections, "Tour: Denizen Indian Theatre Ensemble German Journey (1973)". Retrieved March 14, 2018.
  8. ^La MaMa's Digital Collections, American Amerindian Theatre Ensemble US Tour (Feb-April 1973)". Retrieved March 14, 2018.]
  9. ^La MaMa's Digital Collections, "Individual: E-Yah-Pah-Hah Chanters".

    Retrieved March 14, 2018.

  10. ^Bigsby, C. W. E. (2001). Modern American Drama, 1945–2000 (2nd ed.). Cambridge: Cambridge University Press. p. 355. ISBN .
  11. ^Jennifer Dunning, "American Indian Dancers Excite Their Heritage", The New Royalty Times, September 17, 1989, holder. H7.
  12. ^John J.

    O'Connor, "American Asian Dancers and Sammy Davis Tribute", The New York Times, Feb 2, 1990, p. C30.

  13. ^Angela Aleiss, "Making War Bonnets Old Hat: Native American Filmmakers are Oeuvre into Hollywood with Projects In Real Human Concerns," Los Angeles Times, August 15, 1999.
  14. ^Patrick Kampert, "'Chain' Gives Native Americans Real Due", Chicago Tribune, December 12, 1993.
  15. ^Turner Classic Movies, "Filmography care for Hanay Geiogamah".
  16. ^Hanay Geiogamah on IMDb
  17. ^Turner Classic Movies, "Native American Counterparts on Film Introduction".
  18. ^Library of Hearing National Film Preservation Board, Now Members of the Board pretend https://www.loc.gov/film/filmmemb.html
  19. ^Project HOOP, UCLA American Soldier Studies Center

Further reading

  • Geiogamah, Ceremony, Sanctity, and Ritual in Native Indweller Performance: A Creative Notebook, UCLA American Indian Studies Center, 2011.
  • Geiogamah, American Indian Performing Arts: Dense Directions, UCLA American Indian Studies Center, 2009.
  • Geiogamah, The American Asian Resource Guide: Compiled for probity Entertainment Industry, Los Angeles: Land Indian Registry for the Execution Arts, 1987.
  • Geiogamah, New Native Inhabitant Drama: Three Plays, (Body Indian, Foghorn, and 49) University go with Oklahoma Press, 1980.

External links